In my last post I wrote about unusual ways of knocking off victims in crime novels.  This post I’ll be writing about one of the weirdest reasons to kill anyone I’ve ever come across. Karaoke. And guess what?  It’s not fiction.  It seems that people who sing Karaoke…especially Frank Sinatra’s My Way and John Denver’s “Country Roads” in bars in places like Malaysia, Thailand, China and the Phillipines are getting gunned down or hacked to death largely because of what they decide to sing.

My first clue that this was actually happening came in an article I found not in the National Enquirer where I might have expected it , but in America’s most respected  “Gray Lady”, our “newspaper of record,” the New York Times.

Under the headline “Karaoke Killing,” the Times reported:

“A 23-year-old Malaysian man was killed on Thursday night after reportedly enraging other customers who felt that he “hogged the microphone” at what Malaysia’s Star Online described as “a coffeeshop-cum-karaoke outlet” in the town of Sandakan, on the island of Borneo.

The Guardian’s Ian MacKinnon adds some regional context:

Karaoke rage is not unheard of in Asia. There have been several reported cases of singers being assaulted, shot or stabbed mid-performance, usually over how songs are sung.

Frank Sinatra’s “My Way” has reportedly generated so many outbursts of hostility that some bars in the Philippines now do not offer it on the karaoke menu anymore. In Thailand this year, a gunman shot eight people dead after tiring of their endless renditions of a John Denver tune.”

A little further research via Google revealed the John Denver tune in question was “Take Me Home Country Roads.”

Britain’s Daily Telegraph, a generally staid and politically conservative paper, reported last March that “John Denver Karaoke Sparks Thai Killing Spree.”  According to the article

“A gunman in Thailand shot-dead eight neighbours, including his brother-in-law, after tiring of their karaoke versions of popular songs, including John Denver’s Country Roads. 

Weenus Chumkamnerd, 52, put his gun to the head of a respected female doctor and seven of her guests as they partied at her home in Songkhla Province, South Thailand

“When I began shooting nobody pleaded for his life because they were all drunk,” he said after his arrest.

He said he was so furious with their awful singing that he did not notice he had murdered his own brother-in-law.

“I warned these people about their noisy karaoke parties. I said if they carried on I would go down and shoot them. I had told them if I couldn’t talk sense into them I would come back and finish them off,” he added.

Apparently he couldn’t talk sense into them.   A third and even more horrific example of Asian Karaoke killings was reported by the Telegraph exactly one year ago today on August 30, 2012.  The headline read: Chinese Toddler’s Karaoke Tantrum Ends in Bloodbath “

The article went on to report: 

“A Chinese toddler’s refusal to give up the microphone during a family karaoke evening started a quarrel that left two men hacked to death with a meat cleaver.

The evening began jovially enough when Mr Yun, the owner of a noodle shop in the central Chinese city of Xi’an, invited his family to celebrate Qixi, China’s Valentine’s Day, with a singing session at a local karaoke parlour.

But by 11pm, there was discord in the room. Mr Yun’s four-year-old son was hogging the microphone and his parents were indulging him.

Two of the boy’s uncles began chastising Mr Yun and his wife for having raised a spoilt child; a “Little Emperor”, as the Chinese say.

According to the Xi’an police, the argument became heated to the point where the two uncles began pushing, and then punching, Mr Yun.

Finally, Mr Yun’s nephew, who also worked in the noodle shop, ran back to the restaurant and fetched a meat cleaver.

The man, named as Mr Hui, hacked the two uncles to death, inflicting at least ten wounds on each uncle. He has since been arrested.

Lest you think these cases are unusual, just try Googling “Karaoke Murders Asia.”  When I did I got 3,460,000 hits. Admittedly many of these must be repeats of the same stories but still…

Now in our roles as crime writers we are charged with coming up with interesting and unusual motives for murder.  But I have a feeling that if any of us (with the possible exception of James Patterson who can get away with anything) ever tried in a million years to make the motive for murder somebody singing a Frank Sinatra song in an Asian Karaoke bar, your editor would laugh you out of the room. Which would be bad, unless of course you were Carl Hiaasen who likes making his editors laugh.

James Hayman:  At the moment, I’m in the middle of making final revisions to my third McCabe/Savage thriller. Titled Darkness First the book is due out in the UK in June 2013 and, hopefully, around the same time in the US.

Darkness First is the first of my books to require any kind of extensive editorial rewriting.  Number two, The Chill of Night, sailed through with only minor tinkering and the first, The Cutting, required only one fairly simple, though important change to attain its final form.

Darkness First was the most difficult of the three books to write, in many ways the most ambitious and, in my view, also the most interesting.  It’s also the first of the three that helped me truly appreciate how valuable a perceptive and talented editor can be, in this case Stefanie Bierwerth who works with Penguin UK in London, can be.

The plot itself is fairly simple.  A large haul of oxycontin is smuggled by boat from Saint John, New Brunswick into Eastport, Maine. A distribution network is set up. The drugs are sold. Money is made.  Eventually, there is a falling out between the two people responsible for the crime. One is a vicious killer named Conor Riordan and the other a beautiful young woman from Eastport named Tiffany Stoddard. On a dark and steamy (no, not stormy) night in Machias State Park, Conor Riordan brutally stabs Tiff Stoddard to death.  The police quickly discover Riordan is the culprit. The only problem is Conor Riordan doesn’t exist.

At the suggestion of her father, Washington County Sheriff John Savage, Detective Maggie Savage of the Portland Police Department comes home to Washington County and volunteers to join the state police investigation into the crime. Eventually, with the help of her Portland partner, Mike McCabe, Maggie discovers the true killer and solves the crime.

However, in my view, what makes the book work is not just the story line (which I think is pretty good), but also the exploration of Maggie’s feelings for the other major characters and the conflicted feelings/relationships she has with them.  She  finds herself trying to mediate a nasty feud between two men she has loved all her life, her seventy four year old father, who she learns may be dying of cancer, and her  wild and irresponsible younger brother Harlan, who has recently returned from service in Iraq and is recovering from a serious wound and suffering from PTSD.

Maggie’s also trying to sort out her screwed-up love life and needs to resolve the strong attraction she feels to both her Portland partner Mike McCabe and a charming and handsome state police detective named Sean Carroll.

In the end unraveling and resolving these feelings and relationships added a lot to the story.  It also made the book more challenging to write and, in my view, ultimately much more interesting. Stef Bierwerth at Penguin understood this and her perceptive insights and suggestions were a huge help in getting it right. Thanks in part to her, I think it may be the strongest of  the three McCabe/Savage books so far.  I hope my readers agree.

James Hayman: Although there are a lot of great neighborhoods in the city of Portland, anyone who reads my books must know that Munjoy Hill has long been my favorite. My hero Mike McCabe, his girlfriend Kyra and his daughter Casey share a three-bedroom condo on the Eastern Prom “looking out at Casco Bay and the islands. That view, and the fact that it was less than a mile walk to police headquarters were the primary reasons he’d paid more than he could afford for the…condo when he signed on, three years earlier, as chief of the PPD’s Crimes Against People unit.” (From The Cutting.)

In an early scene from The Chill of Night I describe McCabe as he “turned left on Congress and headed west down Munjoy Hill. In spite of a decade of gentrification The Hill still retained the look and feel of its working class roots. Smallish wood-frame houses built sometime around 1900. Most divided into apartments. Tonight (an especially frigid winter night) they were all closed up tight, curtains drawn. He continued down the hill, passing a few couples heading for one or another of the bars and restaurants that were sprouting like weeds. The Front Room. The Blue Spoon. Bar Lola.”

Detective Maggie Savage, McCabe’s partner in crime-fighting has her own place on The Hill, a three-flight walkup on Vesper Street, a couple of blocks in from McCabe’s apartment on the Prom.

This summer my wife Jeanne and I decided for the second summer in a row to rent our house on Peaks Island to summer visitors and move into town.  We’re living on the third-floor of one of those hundred-year-old wood frame houses on The Hill (more or less halfway between McCabe’s and Maggie’s) where we enjoy an excellent view of the water.  Not quite as good as McCabe’s but still pretty nice.

Portland fireworks display goes off almost flawlessly (Press-Herald)

Perhaps the best part is that we’re only one house in from the Prom and less than a one-minute walk from Fort Allen Park, Portland’s most beautiful public space and, without question, the jewel in Munjoy Hill’s crown.

Set on a sixty-eight acre grassy hill, Fort Allen Park slopes down from the Prom and offers, in addition to its tennis courts, sandy beach and picnic tables, endlessly breath-taking views of Casco Bay and the islands beyond.

Every Fourth of July what seems like most of the population of Portland crowds into the park to watch the annual fireworks display set off from a barge anchored just off-shore.  This year, however, just as the Portland Symphony was winding up its concert of patriotic music and minutes before the fireworks were set to begin,  a lightning storm lit up the eastern skies in a heavenly display that dwarfed anything the city could hope to put on. Torrential rain, high wind and dangerously close lightning strikes forced officials to cancel the show and reschedule it for the following night. The crowd trudged home, soaked I assume, to the skin.  I thought, given the disappointing evening, most wouldn’t return.

Turned out I was wrong.  By the evening of the fifth the skies had cleared and most of the people came back. Not quite as many as the night before but still an estimated thirty thousand of them.  The Portland Symphony replayed its entire program concluding with the signature 1812 Overture which was followed one of the best fireworks displays I can remember seeing anywhere.

According to the Portland Press Herald, “PSO conductor Robert Moody summed up the mood of the crowd before the signature overture (began). ‘ “I don’t think there’s any place better in the country to celebrate Independence Day than on the Eastern Prom with the Portland Symphony Orchestra,’ he said, to cheers.” I agree.